Dating fender solid state amps

dating fender solid state amps-61
The resulting gold rush yielded a number of strange bedfellows, with many guitar companies owned by conglomerates that may or may not have a clue about making and marketing guitars.Most came down on the latter side: CBS (TV) bought Fender, Seeburg (jukeboxes) bought Kay, Norlin (beer, etc.) bought Gibson, Avnet (hotels? It was amid this corporate feeding frenzy that Baldwin guitars were born, the result of a collision between the quest for guitars and the fortunes of Burns guitars of London.The plan was that Burns would continue to manufacture guitars in London and ship them to the U. Reportedly there were a few early models from ’65 that had both names on them, and those that did likely had already been produced at the time of the sale.

The resulting gold rush yielded a number of strange bedfellows, with many guitar companies owned by conglomerates that may or may not have a clue about making and marketing guitars.Most came down on the latter side: CBS (TV) bought Fender, Seeburg (jukeboxes) bought Kay, Norlin (beer, etc.) bought Gibson, Avnet (hotels? It was amid this corporate feeding frenzy that Baldwin guitars were born, the result of a collision between the quest for guitars and the fortunes of Burns guitars of London.The plan was that Burns would continue to manufacture guitars in London and ship them to the U. Reportedly there were a few early models from ’65 that had both names on them, and those that did likely had already been produced at the time of the sale.

The Baldwin story goes back a bit further, to Cincinnati in 1862, when a reed organ and violin teacher named Dwight Hamilton Baldwin opened a music store and eventually became one of the largest piano retailers in the Midwest. In 1890, Baldwin decided to go into piano manufacturing and began building upright pianos.

Joining him as a bookkeeper in 1866 was Lucien Wulsin, of Alexandria, Kentucky. He passed away in 1899 and Wulsin took over the operation.

Burns guitars were generally well designed and produced, with feather-touch vibratos, a unique “gear-box” truss rod adjuster (which ended up on many Baldwin-era Gretsches), and nifty electronic features like the “Wild Dog” setting on the Jazz Split Sound (basically an early out-of-phase tone).

Since most of Burns’ guitars ended up in the Baldwin line, there’s no need to go into them at length.

As early as 1935, Baldwin pioneered electronic organs and developed the electronic church organ.

Over the years, Baldwin endorsers have been as diverse as President Harry Truman, composer Aaron Copeland, and Liberace.

However, new product development ground to a halt as Baldwin adjusted to the shock of inheriting a product line targeted at an entirely new market.

Upon leaving Burns/Baldwin in ’66, Jim Burns continued to make guitars carrying the Ormston brand name.

Since the name was usually on the pickguard, this meant cutting out the Burns name and gluing a piece of pickguard material engraved with the Baldwin name over it.

Once the existing Burns parts were used up, the Baldwin logo was incorporated into the parts, as normal. B.66 Deluxe, Bison, Baby Bison, Hank Marvin, Jazz Split Sound, Vibraslim, Double Six (12-string) and Virginian.

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