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Batō Kannon, Heian period, 12th century, Museum of Fine Arts, Boston Painting on Silk, H = 166.1, W = 82.7 cm Courtesy: The AMICA Libraryorse-Headed Kannon. Batō Kannon appears in the Mahāvairocana Sūtra (Jp. In this latter role, Batō protects those reborn in the animal realm (chikushōdō 畜生道), a realm characterized by stupidity and servitude.= Dainichikyō 大日經; composed sometime in the 6th / 7th century AD) and other tantric texts. Effigies of the Six Kannon began appearing in Japan in the early-mid 10th century onward and were prayed to for the welfare of the dead. = Vidyārāja), the warlike and wrathful deities of Esoteric Buddhism. In Japan, farmers pray to Batō Kannon for the safety and preservation of their horses and cattle.In later Tantric Buddhism from India, Byakue Kannon is the consort of Amida 阿弥陀.

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= awakening seat; the place where one attains enlightenment). Batō is also considered to be the angry form of the Buddha Muryōju (Muryoju) 無量寿.However, in art forms, he appears most commonly with three faces and eight arms.The cult of Batō appears not to have been as popular as those of the other esoteric Kannon, although it is recorded that an image of Batō was enshrined in Saidaiji Temple 西大寺 in Nara in the late 8th century."Horse-shaped") shrines, which are found all over Japan. She is especially honored by the horse breeders in northern Japan.Nowadays you even find bicycles in front of the many stone votive statues to Batō on waysides.There is also a version with the head of an ox (Gotō Kannon 牛頭観音) or a pig (Tontō Kannon 豚頭観音).There is also a special mudra for the horse-headed deity called the Batō Myō-in, Bakō-in (or makō-in) -- as quoted from Ashida and Hanayama.” Gigantic effigies of Kannon are known as Dai-Kannon 大観音.In the Edo period (1600-1868), Batō came to be worshipped as a protector of horses due to his iconography and his role as savior of those in the realm of animals.Many remaining stone statues (sekibutsu 石仏) of Batō were once set in place to protect travelers and their horses from injury on dangerous paths.It was not a monk-artisan who made this Kannon at the impulse of piety.Rather, it was produced by professional designers employed by a company in Japan's flourishing religious-goods industry.” Sanskrit = Pāṇḍaravāsinī Avalokitêśvara Chinese = Báiyī Guānyīn Korean = Baeg-ui Gwaneum 백의관음Also written 白處觀音 or 白衣大士Transliterated as 半拏囉嚩悉寧 and 伴陀羅縛Sanskrit Seed Pronounced SA サ in Japan Shingon Mantra (ご真言)おん しべいていでい はんだらばしに そわかOn Shibeiteidei Handarabashini Sowaka Painting of Byakue Kannon13th-14th Century H = 100.3 cm, W = 41.4 cm Photo: Nara National Museum White-Robed Kannon. Photo at Right: White-Robed Kannon in Ōfuna, Japan. Work on this statue began in 1934, but the outbreak of WWII halted its construction, which began again after the war and was completed in 1961.

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